Luda Tushmalishvili
Then I write a word.
The pen doesn’t stop.
My hand moves as if it had already made the decision before I did. My wrist hurts, but this pain is not a signal to stop—it is merely proof that something is actually happening. The ink seeps into the paper; it does not sit on the surface, as if the words were not being written but driven into it, with force, like a needle into the skin.
Excerpt from “A Voice That Needs No Permission” 2025
Photograph: Kai Biermann


Insights - About My Book
This book is the result of an inner process, a long journey of observation and self-reflection.
From the very beginning, writing was a process for me through which experiences—often lying beyond the realm of consciousness—could become tangible. It is an attempt to give form to emotions that are not yet fully understood—love, fear, anger, and desire.
I have been living in Germany for five years now. This time has significantly changed my perspective: encountering a different culture—one that was largely unknown to me until then—and living in a new reality have deepened my perception—both of myself and of the world. At the same time, my Georgian past forms the foundation of my view of the world—it shapes language and thought, guides me through memory, and forms an inner logic without which these texts could not exist.
I write in Georgian because it is the language in which my thoughts and feelings find their most precise form for me. Translation into another language is a continuation of this process—an attempt to take the text beyond its linguistic boundaries and transfer it into a new cultural context.
write in Georgian because it is the language in which my thoughts and feelings find their most precise expression. Translation into another language is a continuation of this process—an attempt to take the text beyond its linguistic boundaries and transplant it into a new cultural context.
Alongside my literary work, I act in theater. For me, the stage is another space for exploration: here, words transform into physical performance, and emotion becomes action. This experience is directly reflected in my writing, as both involve understanding and expressing inner human states.
“Love Is the Ultimate Rebellion” is my debut and brings together 26 short stories. Each text is an attempt to explore those borderline states in which a person encounters themselves—in love, sexuality, violence, loneliness, and transformation.
This book offers no clear-cut answers—rather, it poses questions. What does it mean to love? Where does a person’s identity begin and end? What remains when everything falls apart?
Here, writing serves not to find answers, but to linger in the process—to create a space where uncertainty can transform into insight.

Additional excerpts

Speaker Thomas Arnold

Illustrations for the book by Zaza Tuschmalischvili
Photographers:
Kai Biermann
Norbert Hingst
Jasmin Schuller - Parzival
Veit Jedamski - DT
Natascha Zivadinovic
David Baltzer - Grips Theater | Theater an der Parkaue'
'HALT'' / ''Alles Klar'' / ''Geschichten zwischen uns''
Patryk Witt - JTW Spandau

Georgia Berlin
Zaza Tuschmalischvili
Am Anger 12
14476 Potsdam
Mobil: +49 (0)178 5182092
Mobil: +49 (0)155 10195161
E-Mail:








